



January 17 , 2004
Reading a weblog quoting from Oliver Sacks essay describing the way the brain translates raw reality into perception & consciousness: "Instead of seeing the brain as rigid, fixed in mode, programmed like a computer, there is now a much more biological and powerful notion of "experiential selection," of experience literally shaping the connectivity and function of the brain (within genetic, anatomical, and physiological limits, of course). Then he quotes Claire Bateman's poem , the beginning of "the Daughter-in-Law's tale."
Because the kitchen heat made me dizzy,
I stepped outside to breathe
in the radiant air of almost-twilight
where snowy fields unfurled in all directions.
I knew no one would miss me
in that house crammed with
basting neighbors & chopping cousins,
but I must have stayed out a little
longer than I realized,
savored my solitude a little
too greedily;
by the time they found me,
I'd become as much a legend
as if I were an albino rose
sprouted from a bed of shaved ice..."
(the author continues) Sacks' essay draws on William James for historical context. Here is the penultimate paragraph:
"But how then do our frames, our momentary moments, hold together? How, if there is only transience, do we achieve continuity? Our passing thoughts, as James says ( in an image which smacks of cowboy life in the l880s) do not wander round like wild cattle. Each one is owned, our own, and bears the brand of this ownership, and each thought, in James' words, is born an owner of the thoughts that went before, and "dies owned, transmitting whatever it realized as its Self to its own later proprietor."
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Isn't that fun? Not too far from Zen, and Tibetan concepts about thought forms. Yoga says, basically that thought is creative, so habitual thought begins to seek confirmation in reality, or to actually sculpt physical time/space. It conjures up interesting images of thoughts, wandering about like a pack of wild dogs? Feral cats? A flock of finches? Armadillos?
This is a poem I wrote two versions of last week.
SPACE OPERAI woke up this morning , to an all night rain,
I didn't hear the rain,
Because I had floated from my bed,
to journey out , and onto a beach somewhere southern
watching a war -- a battle blazing,
up there in outer space.
I was telling my companion, describing to him,
so that the images formed, were conjured, dimly, as I spoke;
I told him about my uncle, captured by the
Germans in l943.
What a night I had!
Out wandering between universes --
tiptoeing across boundaries,
where war is declared.
As the lights flash and move,
tracing distant battle,
I think: "People are dying, but I don't see them."
I can remember my uncle, especially how
he smoked a cigarette ;
Smoke wreathing his eyes, lined and sad.
The act of smoking, a sacrament.
What didn't he know, when he went to war
that he knew later , but never told?
One of the band of silent men I grew up with
My father, determined to turn that page
and never go back;
Just pushing, pushing against the past
like the giant rock of Sisyphus --
Everyday another mountain.